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PREVENTING JEWELLERY UNDER-INSURANCE

By Gurr Johns News - Jewellery

Jewellery is a high-risk category and with current retail prices across the luxury market continually increasing, it is more important than ever for clients to have a professional, fully descriptive and illustrated up-to-date insurance valuation. As a result of restrictions on travel and leisure activities during the Pandemic, there was unprecedented demand for tangible luxury goods. Consumers actively purchased jewellery and watches, and with a limit in the supply chain, prices increased by almost 40% before falling back somewhat in 2023.

Whilst independent retail jewellers currently remain slightly cautious in their outlook, luxury high-end brands, owned by the large conglomerates such as Richemont (owner of Cartier and Van Cleef & Arpels), LVMH (Tiffany & Co., and Bulgari) and Swatch group (Harry Winston) all reported robust performances by the end of 2023.

Replacement values of premium watch brands continue to increase steadily. From January 2022 to January 2023, Rolex made a significant increase in their watch prices of 7% to 11% depending on the model and materials. This is a reflection of production cost surges, the increased price of energy and raw materials, and the simple fact that demand is at record levels. In addition, with the number of reported luxury watch thefts continuing to rise, the need for accurate valuations is now more important than ever.

A diamond, sapphire, ruby and emerald peacock brooch by Cartier

Gurr Johns’ Jewellery & Watches Specialists are keen to help clients avoid suffering financial loss as a result of an out-of-date jewellery valuation. An accurate jewellery valuation will avoid the need to accept a lesser quality item or prevent the owner having to make up any cost difference after a claim. We usually suggest a jewellery valuation every two to three years.

If you have not had one recently, Gurr Johns highly recommends undertaking one as soon as possible to ensure correct values are set as a benchmark for the future.

Rolex, Daytona ‘Inverted 6’, Ref. 16520, a stainless steel chronograph bracelet watch, No. S729513, circa 1993

Why the need for accurate valuations?

If the insurance value on a policy schedule is too low, jewellers will find it difficult to replace stones or jewellery with items of the same quality. The policyholder may have to make the difficult choice of accepting a lesser item or making up the difference themselves.

The older the valuation, the greater the danger of under-insurance. Recent research indicates that at least 50% of engagement rings in the UK have not been valued since their purchase; and 15% of ring valuations are over 20 years old. This suggests that, in addition to the sentimental impact, most owners could be significantly out-of-pocket should a loss occur.

Gold and silver

Between 2016 and 2024 gold and other precious metal prices saw some of the highest uplifts on record, with prices more than doubling over this period. Platinum continues to be the favoured metal for engagement rings and wedding rings.

Asprey & Co., a Kashmir sapphire and diamond ring
Bulgari, an enamel and diamond ‘Serpenti’ bracelet watch, circa 1965

Coloured gems

Blue sapphires remain by far the best seller in the UK coloured gemstone market, being the most popular gemstone for engagement rings after diamonds. The finer grade sapphires such as those from Kashmir, Burma and Sri Lanka continue to increase in value. Between 98-99% of sapphires on the market are heat treated to improve their colour, therefore prices for untreated fine quality sapphires have increased by 10-15% in recent years.

Origin is an important factor when pricing a ruby. The current embargo on Burmese rubies means EU and US gem dealers are pricing their stock accordingly, and therefore Burmese ruby prices have increased by 15%-25% in the upper grades.

In general, emeralds have increased in value over the past years and continue to be a very popular gem, especially the finer grades.

It is imperative that an owner receives a gemstone report from a reputable laboratory and retains this as proof of a gemstone’s natural identification (as opposed to synthetic), and that it is free of any treatments.

Diamonds

It is important that owners retain the diamond grading laboratory report they may have been given when purchasing their diamond. Many retailers, when selling modern diamonds of over 1 carat, provide a diamond grading report from reputable gemmological laboratories, such as GIA, IGI, and HRD for example. They state whether the diamond is natural or laboratory-grown, and the grade of the natural diamond (colour, clarity, carat and cut).

Natural diamond prices generally increase over time, in line with inflation and supply and demand. Over the past few years diamond prices have been volatile and unpredictable. However, due to the limitations in supply of diamonds to the market, and restrictions against the importation of Russian diamonds, prices have begun to stabilize.

How under-insurance can creep up on you

This is a typical list of specified jewellery under an insurance policy, showing the specified values and more recent valuations.

Item Listed on the policy (last updated January 2016) Accurate valuation as at May 2024
Rolex Submariner watch, list price £5,700 £9,450
1 carat Paraiba tourmaline pendant £16,000 £32,000
2 carat platinum/engagement ring £45,000 £67,000
Cartier diamond ‘Love’ bracelet £3,600 £11,400
3 carat Mozambique ruby ring £48,000 £110,000
Sapphire & diamond earrings £10,500 £23,000
Total of insurance value £128,850 £252,850
Total under-insurance £124,000

Professional valuations

It is extremely important for clients to have a professional valuation so that there is no confusion in the event of a loss. A valuation that states simply “A Solitaire diamond ring: £50,000” is ineffective. There are no details of carat weight, indications of grading, details of the mount, whether the ring is antique or modern, or made by a particular designer. This level of information is vital when seeking a replacement stone or piece.

A professional valuation should be fully descriptive with accurate details of the gemstones and materials used, a clear colour photograph (extremely important with unique pieces), and an accurate replacement value stating whether it is an ‘Antique Replacement Value’, ‘Second Hand Replacement Value’ or ‘New Replacement Value’, along with references to any reputable gemstone laboratory reports.

For further information, or to book a valuation, please contact: ukvaluations@gurrjohns.com

SOUTH BY SOUTH WEST | EXHIBITION AT GURR JOHNS

By Exhibitions, Gurr Johns News

Curated by Emily Andrew and Lewis Dalton Gilbert

Private View: Tuesday 30 January, 6 – 8pm
Exhibition: Monday 29 January – Friday 9 February 2024 (Monday to Friday 10.00 – 17.30)

Featuring: David Abbott, Frea Buckler, Tom Chamberlain, Neill Fuller, Adam Hedley, Angela Lizon, Myrna Myrna Quiñonez and Joe Warrior Walker.

From the Bloomsbury Group, St. Ives School and the YBA’s, the British art world has often been grouped together by location. Leaning on this tradition, this exhibition brings together sets of artists who work closely to one another to showcase the different styles, techniques and trends emerging outside the capital city. Our first focus is on Bristol and the South West.

Gurr Johns is an international independent art advisory firm giving leading professional insight into the art market to trusted consultants, private individuals, experienced collectors, family offices, lawyers, and art institutions. As an extension of Gurr Johns’ offerings, we hold exhibitions in our gallery space providing the next generation with a platform to show their works in central London.

Joe Warrior – Walker, Fever Pitch, 2021, oil & pigment on canvas, 160 x 120 cm.

Emily Andrew, Gurr Johns’ Contemporary Art Advisor has partnered with Lewis Dalton Gilbert an independent curator and the creative director at A Vibe Called Tech, a Black- owned creative agency, to curate this exhibition.

For sale enquiries, please contact: Emily Andrew, eandrew@gurrjohns.com/fr

TWENTY ARTISTS ON LAKE COMO | EXHIBITION AT GURR JOHNS

By Exhibitions, Gurr Johns News

From 13 – 17th November 2023, Gurr Johns (16 Pall Mall) will hold an exhibition of new artworks produced this summer by 20 artists following their visit to Lake Como in April. The project was organised by Tim Guinness and hosted by the English community on the lake who support the English Church in Cadenabbia.

 

Tim Guinness’ idea to organise a 4-day visit to Lake Como was prompted after he became aware that funding was badly needed by the English Church and that the English Church in Venice had done something similar in 2006. By chance, Guinness was already acquainted with the Vicar in Venice whilst Tim Llewellyn, an Old Master expert who had played a key role, had been long-standing friend from university days.

Guinness himself has family connections to Lake Como, dating back to 1898 when its train connections to London made it an attractive holiday destination (this was before cars!).

The artists include several Royal Academicians and the ex-President of the Royal Society of Portrait Painters, as well as talented younger artists. The group was put together by Guinness from various sources, with help and introductions from Tim Llewellyn. Guinness wanted a mix of old and young talent who would enjoy each others’ company and be inspired by the trip. The artists had the opportunity to see and experience different aspects of the lake in all its moods. They were taken to see villas, gardens, mountain rifugios, churches, and lakeside towns, and given talks and music whilst staying at the Villa La Collina . The work this inspired is now being exhibited and sold to raise funds for restoration works at the beautiful lakeside Anglican Church of the Ascension.

The Landscape Museum in Tremezzina, just along the lakefront from Cadenabbia, hosted a lecture by Charles Saumarez-Smith (ex Director of the Royal Academy) on day one of the visit. Director Marco Leoni said : “The Landscape Museum is excited to be involved with a project which will inspire a new generation of international artists and to partner an organisation, the Anglican Church of the Ascension, which has been serving our international visitors and residents for over 130 years”.

Built in 1891, the Church of the Ascension is the only completed work of prize-winning local architect, Giuseppe Brentano, who died aged 27. The landmark building next to the Cadenabbia ferry has a stunning interior and is a popular wedding and concert venue. It is maintained by a small yet committed community in order to offer English-speaking worship to the many international visitors to the lake. The artists enjoyed its beauty during a public concert by the Bilacus male voice choir on Monday 24th April at 6.30pm.

Participating artists: Alice Boggis-Rolfe, Caroline Bromley-Gardner, Hugh Buchanan, Nancy Cadogan, Richard Foster PPRP, Timothy Hyman, Irma Kennaway, Cathryn Kuhfeld SWE CAS, Peter Kuhfeld RP NEAC CAS, Lester Korzilius, Chris Levine, Emma Levine, Ray McInnes, Jonathan Miles, Nina Murdoch, Abigail Norris, Chris Orr MBE RA, Sarah Quill, Ania Sabet, John Wonnacott CBE RP

2023 ACS STUDIO PRIZE x GURR JOHNS EXHIBITION

By Exhibitions, Gurr Johns News

The inaugural ACS Studio Prize exhibition will take place at Gurr Johns International, 16 Pall Mall, St. James’s, London SW1Y 5LU from the 20 – 22 September (10 am – 5 pm)

The Prize was founded in 2017 to offer recent graduates the chance to win £6,000 to contribute to the cost of an artist’s studio in a UK city of their choice. The Studio Prize was established after a number of our members’ spoke of the economic challenges they faced when starting their artistic careers. As the premium collecting society for the administration of the Artist’s Resale Right (ARR), the Artists’ Collecting Society (ACS) realises how difficult it is for emerging artists to focus on their practice especially after leaving university. The ACS Studio Prize was founded to help.

Now in its seventh year, ACS has partnered with Gurr Johns International, a global independent art advisory and appraisal group, to offer this year’s six finalists the opportunity to take part in a group show at Gurr Johns alongside past Studio Prize winners.

The exhibition features work from the past winners of the ACS Studio Prize, including David Gardner (2022), Dorcas Casey (2021), Dion Kitson (2020), Araminta Blue (2019) and Rebecca Harper (2018), as well as the six finalists of this year’s Prize, Irini Bachlitzanaki, Chloe Barnes, Elizabeth Dimitroff, Eva Gold, Lewis Graham and Clara Hastrup.

20 – 22 Sep 2023 | 16 Pall Mall, St. James’s, London SW1Y 5LU

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THE LAUNCH OF GURR JOHNS FINANCE IN THE ART NEWSPAPER

By Business, Gurr Johns News

The launch of Gurr Johns Finance was reported by the Art Newspaper on 19 May 2022.

The article quotes Ben Clark, co-CEO of Gurr Johns, who says: “The art lending market is now worth over $24bn, having tripled in size in eight years as it continues to grow. With Gurr Johns Capital, we are further extending our advisory services to private, trade and institutional clients. Our long-standing knowledge of the international art market puts us in an unparalleled position to combine tailor-made financing solutions with world-leading appraisal experience and independent specialist expertise.”

You can read the full article here.

Financial Times Logo

THE LAUNCH OF GURR JOHNS FINANCE IN THE FINANCIAL TIMES

By Business, Gurr Johns News

The launch of Gurr Johns Finance was reported by the Financial Times on 19 May 2022.

The article quotes Alessandro Fiorotto, Managing Director of Gurr Johns Finance, who says: “There’s more of a concept to leverage collections now, to bridge cash flow needs for example, and it is natural for us to add this service.”

You can read the full article here.

ADRIAN STIMSON EXHIBITION AT GURR JOHNS REVIEWED ON CBC NEWS

By Exhibitions, Gurr Johns News

On 20 May 2022, CBC News reviewed ‘Manifest Buffalo: A Bison Dream’, the first solo exhibition in Europe of the celebrated Canadian Indigenous artist Adrian Stimson (b.1964).

Hosted at Gurr Johns’ gallery at 16 Pall Mall from 16 to 27 May 2022, the show presented more than 30 new paintings by the Siksika (Blackfoot) Nation artist whose work addresses issues of colonisation and identity construction and brings First Nation issues to an international audience.

The exhibition was supported by the Canada Council for the Arts and the High Commission of Canada in London.

The story can be found here.

GURR JOHNS HOSTS FIRST EUROPEAN SOLO EXHIBITION OF THE CELEBRATED CANADIAN INDIGINEOUS ARTIST ADRIAN STIMSON

By Exhibitions, Gurr Johns News

From 16 to 27 May 2022, Gurr Johns’ gallery at 16 Pall Mall, London, hosts the first solo exhibition in Europe of the celebrated Canadian Indigenous artist Adrian Stimson (b.1964). ‘Manifest Buffalo: A Bison Dream’ presents more than 30 new paintings by the Siksika (Blackfoot) Nation artist whose work addresses issues of colonisation and identity construction and brings First Nation issues to an international audience.

The exhibition is supported by the Canada Council for the Arts and the High Commission of Canada in London.